Showing posts with label motion comic. Show all posts
Showing posts with label motion comic. Show all posts

Monday, September 17, 2012

Marvel Media Mania: Astonishing X-Men: Gifted

Astonishing X-Men: Gifted is Marvel's first motion comic, originally released online in iTunes and other such venues in 2009. The six episodes have since been collected on DVD.
Astonishing X-Men: Gifted
Although this motion comic was the first, in some regards it is the best of the bunch I've reviewed to date. 

First, the story is, without a doubt, the best of the motion comics. If it seems familiar to you that's because elements of this story were recreated for the third X-Men live action film such as the "cure" for mutation. 

The plot is actually thin on action and heavy on philosophy. There are plenty of scenes that just have the X-Men sitting around and talking or fighting among themselves. To me, that's a strength of the series. When the mutant "cure" is released, the X-Men don't just rush off to destroy it - they discuss the tenets behind their philosophy... who are they to deny mutants the ability to shed their mutation? But what if the government weaponizes the "cure?" Also, in the Professor's absence what remains of his philosophy and dream?   

The episodes also balance the cast out extremely well. Wolverine doesn't dominate the show and some characters that don't often get the limelight get a chance to shine. The tension between Kitty Pryde and Emma Frost is wonderful to watch. Beast's inner struggle with a personal choice weighs heavily upon him, forcing him into a confrontation with Wolverine. Cyclops and Wolverine both are still trying to get over the death of Jean Grey and everyone wonders if Emma is mind controlling Cyclops.

If I can find a fault with the plot it's that it that there are too many plot threads that either aren't introduced properly or aren't resolved. Marvel literally translates the comic panel by panel, word by word. But it would actually benefit from a little bit more explanation and backstory. Things that would shock or excite someone that's been reading X-Men for 20 years lack a punch without the proper context. For example, there's a "surprising" return of a character long thought dead... but to the viewer you don't even realize that's the case. Likewise, the tension between Kitty and Emma, while highly entertaining, isn't resolved and doesn't really have a true significance in the story. Sure, it sets up future events... that aren't on this DVD. 

This word-for-word translation lends to a few awkward moments. One is when a student says the F-word, only to have it bleeped out. In the comic, this would just be squiggles like this #$!@#^&$#! but on screen it just seems weird to have a bleep in the middle of a DVD. Then Wolverine goes on a swearing tirade that's entirely bleeped. I don't know if they were trying to be funny but it just comes across as being odd. I would have preferred that they simply substituted some words that would pass the censors on regular TV.

The music and voice acting for this series is surprisingly good. I would say the frantic music with a heavy beat is one of the strong positives for the show. 

The animation is really good... until it isn't. Mouths move much better than they do in some of the later motions comics. I thought action sequences looked very smooth and natural. They really used 3D effects to great advantage. I really liked the fact that little details were attended to (such as breathing and blinking) that make the characters seem very real. But when a character turns their heads they used some type of morphing technology where the image morphs into the turned head image. It ends up looking like a reflection in a funhouse mirror. The same effect was used for shifting emotions and it just made the faces look distorted. 

Ultimately, though, was the viewing experience enjoyable? Yes, thanks in large part to Joss Whedon's amazing story. The guy who made the Avengers a billion plus dollar movie doesn't go wrong with the X-Men either. It's worth checking out but fans will enjoy it much more because casual viewers might find themselves a little lost.

1LR REVIEW - 14 out of 20! It's a Hit!

Saturday, June 30, 2012

Marvel Media Mania: Spider-Woman: Agent of S.W.O.R.D.


Spider-Woman: Agent of S.W.O.R.D. is a motion comic originally released for download on iTunes in 2009. There are five episodes. They have been collected and are now available on Blu-Ray and DVD.
Bendis is Spider-Woman's #1 fan.

The storyline selected for this motion comic is a bit of an odd choice that leaves me scratching my head a bit. Who is the intended audience for this motion comic? Sure, I know why they chose this limited series - it's Bendis and Maleev. But the story itself isn't exactly accessible to folks who don't religiously read new comics every week. It's set in a very specific time in Marvel history - directly following the defeat of the Skrull alien race in "Secret Invasion." Jessica Drew was replaced by the Skrull queen (Skrulls are shape changers) and her reputation is ruined. You get little flashes of this during the story but I can't say the background is explained enough for those who never read the comics. But why would people who read the original comics want to buy the motion comic? As a storytelling vehicle, the original comics do a better job than the motion comic which could be described as "underdeveloped" at best.

Because of everything Jessica Drew's been through we're not presented with the typical Spider-Woman. This Spider-Woman is out for vengeance and contemplates doing some "dirty deeds" such as torturing/killing a captured Skrull warrior. Once again making this storyline an odd choice for a motion comic. Why not choose something a bit more representative of this character?

The overall tone of these motion comics is very dark and gritty. Spider-Woman finds herself in a shadowy game of intrigue. Maleev's art naturally lends itself to the seedy, dirty settings. The violence isn't presented as cartoony flashes of energy. Every fight Spider-Woman gets into is a knock-down, drag-out brawl. When Spider-Woman falls ten stories onto a car she doesn't walk away - she wakes up in the hospital.

While Maleev's art is great, I still have big problems with the motion comic format. At best it seems like a glorified PowerPoint presentation. Sure, they added in some CGI effects such as the flying cars. Those add some genuine movement to the story. And it is actually an improvement in this one that the characters mouths don't move. In other motion comics they just can't seem to get it right. But the end result is equivalent to a fancied-up puppet show.

So in conclusion, although the source material is certainly enjoyable, the motion comic fails to make the story accessible to casual fans and disappoints visually.

1LR REVIEW - 8 out of 20! It's a Miss!

Saturday, April 21, 2012

Marvel Media Mania: Thor & Loki: Blood Brothers

Thor & Loki: Blood Brothers is a 2011 Marvel motion comic based on the 2004 comic book mini-series. It comes in four parts.
 

Blood Brothers is a character study of Loki. The story focuses on a time when Loki gets his every wish - he is the ruler of Asgard and has defeated Thor. But he quickly finds that obtaining his desires isn't what he had hoped it would be for he has still failed to conquer his own faults.

There is very little action in the story. Loki goes from cell to cell visiting Thor's friends to try and gain the evidence he needs to put Thor to death. Along the way, he encounters a number of allies as well. Each encounter fails to go the way Loki would intend as each character matches wits with Loki. There are some interesting exchanges and wars of wits but for the most part these dialogues fail to produce notable moments. Additionally, because the film is so dialogue heavy it makes the scenes much more static. This worsens the effect of the motion comic being essentially a gussied-up slide show.

While the art is beautiful, it would have been better to have a fully CGI animation version of the story. The motion comic concept shows some promise,but results to date pale when compared to traditional styled animation. There are several iconic images in this film such as Thor on his knees, broken and in restrains and Loki sitting on the throne, clearly burdened by his new position. But these images are better appreciated in their original format where the viewer is not whisked away by the movement of the story but can take the time to absorb the magnificence of the art.

1LR Review - 11 out of 20 - It's a Glancing Hit!

Saturday, March 31, 2012

Marvel Media Mania: Iron Man: Extremis

Iron Man: Extremis is a "motion comic" based on Warren Ellis's Iron Man comic #1-6. A motion comic is like a hybrid between a cartoon and a comic book. The original pictures from the comic book are used and they are, for the most part, static except for small digital movements that are added. The camera is frequently in motion to enhance the feeling of movement. Voice acting and a soundtrack are also added so the viewer doesn't have to read sound effects or speech bubbles.
The art of Adi Granov is very capable, almost photo-realistic. The end result is a cartoon that in some aspects looks much richer than your average Saturday morning cartoon. But in some regards, motion comics are still in their infancy. Movements sometimes feel very two-dimensional, like an arm swinging where only the forearm pivots on one point. Talking is the worst, however, because the mouths never seem to move correctly.

The plot to this motion comic follows the comic book series almost identically. Essentially, it is a new origin story for Iron Man, reinventing him for the new millennium. The story isn't your typical superhero smash up. It focused a great amount of time on the philosophical underpinnings of Iron Man. Tony is confronted with the fact that his weapons have killed innocent children and asked to rectify that with his Iron Man heroics. Tony sets off on a personal quest to prove that he's more than just an arms dealer. He tries to do so by creating a faster and more advanced Iron Man. This makes me says, "huh?" Ultimately, I think the story fails to deliver on the high-minded tenets it establishes itself on. In the end, Stark is still a man in a suit of technological armor fighting bad guys.

These motion comics are definitely not for kids! The action sequences are graphic and full of blood. I did take issue with the revisionist history, claiming that Iron Man had to have killed at least 50 guys during his initial Iron Man outing. It used to be, "Avengers don't kill," but now every hero has to as bloodthirst as Wolverine, I suppose.

Overall, the motion comic is enjoyable. For what it is, it is well done.

1LR Review - 14 out of 20 - It's a Hit!